And why not 50 or 200 with taxes in Luxembourg?
Posted: Wed Jul 09, 2025 9:06 am
Among the signatories are Jean Rottner, president of the Grand Est region, Patrick Weiten, president of Moselle, François Grosdidier, president of the Eurometropolis of Metz, and Pierre Cuny, mayor of Thionville. The latter posted on social media, saying he had pushed for an increase of up to 56 days a year.
The head of the prefecture of Moselle Laurent Touvet responded to the initiative by saying “47 days of teleworking? The interest of France is not to deprive itself of tax income “, according to the the Republican Lorrain.
Source linkLizzie Sweeney played with a shaky unbeaten
Despite its origin as a tale of rural Ireland in 1964, the only nostalgic moment in this Patrick Talbot production of a famous play is when the curtain falls. This smooth closing of a story in which the emotional potential of silence is so significantly articulated is in itself an act of memory.
If there is any suspicion that the theme of a frustrated son leaving a job function email database village cloistered by his own conventions may be outdated, they are defeated by this presentation. The originality of playwright Brian Friel’s device of a protagonist revealed by both his outer and inner self – his illusions and realities, his dreams and his conscience expressed with raw irony – ensures that it is about a piece of our time.
Sparse set by Sabine Dargent, costumes by Liv Monaghan, sound by Cormac O’Connor, and lighting by Paul Denby support a piece carefully wrapped like an egg of free-range hens
Riddled with the assumptions of comic book America, Gar O’Donnell is on his way to the land of sun and promise. Audience Gar (Shane O’Regan) accepts typical farewell visits from his community, guys overflowing with bravado and whimsy, a failed teacher, a housekeeper with stoic affection. Armed with an Edmund Burke reading of the French Revolution, the private Gar (Alex Murphy) sees through it all and sees beyond, realizing that Gar never interpreted his monosyllabic father’s ingrained feelings. Hindered by time and chance, emotional close calls strike like missives of unread signals.
The head of the prefecture of Moselle Laurent Touvet responded to the initiative by saying “47 days of teleworking? The interest of France is not to deprive itself of tax income “, according to the the Republican Lorrain.
Source linkLizzie Sweeney played with a shaky unbeaten
Despite its origin as a tale of rural Ireland in 1964, the only nostalgic moment in this Patrick Talbot production of a famous play is when the curtain falls. This smooth closing of a story in which the emotional potential of silence is so significantly articulated is in itself an act of memory.
If there is any suspicion that the theme of a frustrated son leaving a job function email database village cloistered by his own conventions may be outdated, they are defeated by this presentation. The originality of playwright Brian Friel’s device of a protagonist revealed by both his outer and inner self – his illusions and realities, his dreams and his conscience expressed with raw irony – ensures that it is about a piece of our time.
Sparse set by Sabine Dargent, costumes by Liv Monaghan, sound by Cormac O’Connor, and lighting by Paul Denby support a piece carefully wrapped like an egg of free-range hens
Riddled with the assumptions of comic book America, Gar O’Donnell is on his way to the land of sun and promise. Audience Gar (Shane O’Regan) accepts typical farewell visits from his community, guys overflowing with bravado and whimsy, a failed teacher, a housekeeper with stoic affection. Armed with an Edmund Burke reading of the French Revolution, the private Gar (Alex Murphy) sees through it all and sees beyond, realizing that Gar never interpreted his monosyllabic father’s ingrained feelings. Hindered by time and chance, emotional close calls strike like missives of unread signals.